IZABELA PLUTA
support material: 10 images of past work/exhibitions
+61 413 259 330
email@izabelapluta.net
www.izabelapluta.net
@izabelapluta__studio
Izabela Pluta
Shadowing #4-5, 2023
Pigment prints on solvent-based paper
Photo: Jeremy Weihrauch
Finalist in the 2024 National Photography Prize, MAMA
Izabela Pluta
Blue spectrum and descent 2020
Cyanotypes on watercolour paper
156 x 672 cm (overall Installation)
photo: Jacqui Manning
Izabela Pluta
Production still from Artistic Associate commission project, currently in development for The Powerhouse Museum, Sydney
Durational exposures of Silver Gelatin photographic paper, Powerhouse Castle Hill
Izabela Pluta
Use-wear (2022- )
8-channel video (detail, work in progress), commissioned by The Powerhouse Museum during my role as Artistic Associate.. Presented as part of Powerhouse Late’s: Photography, March 2023. Photo: Chris Mulia
Izabela Pluta
Counter forces, 2021
latex-based inkjet-prints, repurposed timber, bronze, studio backdrop paper
Commissioned by Bundanon Art Museum for From impulse to action, curated by Sophie O’Brien (with Boe-Lin Bastian).
Artist assistant: Savanna Hopkinson. Joiner: Geordie Malone.
Photo: Zan Wimberley
Izabela Pluta
Apparent Distance (detail) 2019
dye-sublimation prints on fabric and photographic prints on aluminium
340 x 850 cm, 340 x 2059 cm (overall installation)
Commissioned by the Art Gallery of NSW for The National 2019: new Australian art, curated by Isobel Parker-Philip (AGNSW)
REVIEW ARTLINK LINK
Izabela Pluta
Ascending air, unfolding motion, 2022
Latex-based ink-jet prints mounted on aluminium and repurposed timber easels
Joiner: Geordie Malone.
Ascending air, unfolding motion was created through the commissioning support of The Lock-Up, Newcastle, Australia as part of Radical Slowness, curated by Anna May Kirk and Tai Mitsuji.
Photo: Ben Adams
Izabela Pluta
Camouflage #1 2021
Pigment print on eco-solvent cotton rag paper
Installation view, UNSW Galleries for the solo exhibition Nihilartikel, curated by José Da Silva.
Sydney. Photo: Jacqui Manning
Izabela Pluta
Variable depth, shallow water (detail) 2020
silver gelatin photographs, pigment prints on aluminium, dye-sublimation prints, polyester waddling straps, two-way acrylic, aluminium, polyester resin, 600 x 200 x 150 cm. Installation view, UNSW Galleries for the solo exhibition Nihilartikel, curated by José Da Silva. First presented in the solo exhibition, Variable depth, shallow water at the Spazju Kreattiv, Malta’s National Centre for Creativity, St James Cavalier, Valletta. Curators: Nicole Bearman and Francesca Mangion
Sydney. Photo: Jacqui Manning
Izabela Pluta
Twenty-four inversions, 2023, Unique C-type photographs, acrylic face mount, 29 x 40cm (each)
Installation view, Renditions. Project8 Melbourne. Curated by Sean Lowery and Kim Donaldson