Izabela Pluta
News
Projects
Apparent Distance
Geography of Space, Archaeology of Time
Figures of slippage and oscillation
Threshold
Bringing the distance near
Paper, stone and permutations
Reversal
Rupture
The Voyage
Traverse
Excavation
Blue Distance
Agency of inanimate objects
Taken on the same day as the other photo
Study for a sham ruin
Reservoir
Displaced images of distant objects
On things mended and broken
The macquarie project
Sailing for the abyss
Gestures of the landscape
à la dérive
Vur-sur-mer
In (and against) time
Sometime
Making mirrors
Frontyards
Public Art
Unset Typologies
Habitat
Siteline
lightHOUSE
Motionless
Map
Entwined
About
Publications
Essays
Lisa Gorton: Izabela Pluta [Apparent Distance]
Naomi Riddle: A lake that was once a field
Andrew Frost: Space Opera
Simon Gregg: I still haven't found what I'm looking for
Emma Mayall: Displaced images of distant object
Amita Kirpalani: On things mended and broken
Ashley Whamond: Sailing for the abyss
Simon Gregg: Trace, place and recollection
Bec Dean: All quiet in the off season
CV
Catalogues
Contact
News
Projects
Apparent Distance
Geography of Space, Archaeology of Time
Figures of slippage and oscillation
Threshold
Bringing the distance near
Paper, stone and permutations
Reversal
Rupture
The Voyage
Traverse
Excavation
Blue Distance
Agency of inanimate objects
Taken on the same day as the other photo
Study for a sham ruin
Reservoir
Displaced images of distant objects
On things mended and broken
The macquarie project
Sailing for the abyss
Gestures of the landscape
à la dérive
Vur-sur-mer
In (and against) time
Sometime
Making mirrors
Frontyards
Public Art
Unset Typologies
Habitat
Siteline
lightHOUSE
Motionless
Map
Entwined
About
Publications
Essays
Lisa Gorton: Izabela Pluta [Apparent Distance]
Naomi Riddle: A lake that was once a field
Andrew Frost: Space Opera
Simon Gregg: I still haven't found what I'm looking for
Emma Mayall: Displaced images of distant object
Amita Kirpalani: On things mended and broken
Ashley Whamond: Sailing for the abyss
Simon Gregg: Trace, place and recollection
Bec Dean: All quiet in the off season
CV
Catalogues
Contact
Projects
/
Apparent Distance
Projects
/
Geography of Space, Archaeology of Time
Projects
/
Figures of slippage and oscillation
Projects
/
Threshold
Projects
/
Bringing the distance near
Projects
/
Paper, stone and permutations
Projects
/
Reversal
Projects
/
Rupture
Projects
/
The Voyage
Projects
/
Traverse
Projects
/
Excavation
Projects
/
Blue Distance
Projects
/
Agency of inanimate objects
Projects
/
Taken on the same day as the other photo
Projects
/
Study for a sham ruin
Projects
/
Reservoir
Projects
/
Displaced images of distant objects
Projects
/
On things mended and broken
Projects
/
The macquarie project
Projects
/
Sailing for the abyss
Projects
/
Gestures of the landscape
Projects
/
à la dérive
Projects
/
Vur-sur-mer
Projects
/
In (and against) time
Projects
/
Sometime
Projects
/
Making mirrors
Projects
/
Frontyards
![Apparent Distance (detail) 2019 dye-sublimation prints on fabric and photographic prints on aluminium 340 x 850 cm, 340 x 2059 cm (overall installation) Commissioned by the Art Gallery of NSW for The National 2019: new Australian art Photo: AGNSW, Diana Panuccio [This project has been supported by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, the NSW Government through Create NSW, and a UNSW Art & Design Faculty Research Grant]](https://static1.squarespace.com/static/54ac670fe4b0b75815b004e2/t/5ce53f2bd77bf50001a8c936/1558527787405/)
![Figures of slippage and oscillation installation view, Artspace Ideas Platform, Sydney Spatial misalignments , 2018, silver gelatin photographs, 3 sets of 20 unique prints, 61 x 40.6 cm (each diptych); Buoy [found at the intersection of the Pacific Ocean and the East China Sea] , 2018, latex-based print on polyester, 100 x 100 cm; single-channel audio, 17 tracks played in random sequence](https://static1.squarespace.com/static/54ac670fe4b0b75815b004e2/t/5b4f27ac88251bb298dd2d66/1531913952221/)
