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Izabela Pluta
Lines of sight 2020 3 channel digital video with sound, polyester waddling straps, two-way acrylic, aluminium. 06:25 minutes (loop)
Editing: Vera Houng Productions. Sound Design: Ant Bannister and Tobias Gilbert. Filmed in Gozo, Malta with the assistance of Dive Smart Gozo and in Peppimenarti, Australia with the permission of the Ngan’gikurunggurr people
APPARENT DISTANCE
Apparent Distance (detail) 2019
dye-sublimation prints on fabric and photographic prints on aluminium
340 x 850 cm, 340 x 2059 cm (overall installation)
Commissioned by the Art Gallery of NSW for The National 2019: new Australian art
[This project has been supported by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, the NSW Government through Create NSW, and a UNSW Art & Design Faculty Research Grant]
APPARENT DISTANCE
Apparent Distance (detail) 2019
dye-sublimation prints on fabric and photographic prints on aluminium
340 x 850 cm, 340 x 2059 cm (overall installation)
Commissioned by the Art Gallery of NSW for The National 2019: new Australian art
Photo: AGNSW, Diana Panuccio
Reversal
After the pleasure of ruins 2015–2019, 153 unique photo silk screen prints on found book pages, 18.7 x 25.4 cm each; Reversal 2019, dye-sublimation print on fabric, 560 x 800 cm.
installation view, Glasshouse Regional Gallery
After the pleasure of ruins 2015–2019 (detail)
153 unique photo silk screen prints on found book pages
18.7 x 25.4 cm each
installation view, Glasshouse Regional Gallery
Cavitation 2018
Three-channel video with audio. Duration 9:06 min;
and The process by which the depth of the sea is defined 2018
Dye-sublimation print on acoustic fabric
installation view, The Australian Centre for Photography, Sydney
Photo: Michael Waite
VIDEO DOCUMENTATION + EXCERPTS LINK
DIGITAL CATALOGUE LINK REVIEW ART & AUSTRALIA LINK
Abstruse terms and general uncertainties series 2018
installation view Geography of Space, Archaeology of Time in dialogue exhibition with Utako Shindo, curated by Allison Holland
installation view, The Australian Centre for Photography, Sydney
Figures of slippage and oscillation
installation view, Artspace Ideas Platform, Sydney
Spatial misalignments, 2018, silver gelatin photographs, 3 sets of 20 unique prints, 61 x 40.6 cm (each diptych); Buoy [found at the intersection of the Pacific Ocean and the East China Sea], 2018, latex-based print on polyester, 100 x 100 cm; single-channel audio, 17 tracks played in random sequence
Spatial misalignments (detail) 2018
silver gelatin photographs, 3 sets of 20 unique prints, 61 x 40.6 cm (each diptych)
Izabela Pluta
Paper, stone and permutations 2017
installation view This is no fantasy + Dianne Tanzer Gallery, Melbourne
latex-based ink-jet print on wall/on aluminium panel; series of inkjet prints on photorag mounted on aluminium
Permutation 1+2, 2017
photo rag pigment prints on aluminum
110 x 110 cm each