Izabela Pluta

  • News
  • Projects
    • Apparent Distance
    • Reversal
    • Geography of Space, Archaeology of Time
    • Figures of slippage and oscillation
    • Threshold
    • Bringing the distance near
    • Paper, stone and permutations
    • Rupture
    • The Voyage
    • Traverse
    • Reversal [2015]
    • Excavation
    • Blue Distance
    • Agency of inanimate objects
    • Taken on the same day as the other photo
    • Study for a sham ruin
    • Reservoir
    • Displaced images of distant objects
    • On things mended and broken
    • The macquarie project
    • Sailing for the abyss
    • Gestures of the landscape
    • à la dérive
    • Vur-sur-mer
    • In (and against) time
    • Sometime
    • Making mirrors
    • Frontyards
  • Public Art
    • Unset Typologies
    • Habitat
    • Siteline
    • lightHOUSE
    • Motionless
    • Map
    • Entwined
  • About
  • Publications
  • Essays
    • Melissa Keys: After the pleasure of ruins
    • Lisa Gorton: Izabela Pluta [Apparent Distance]
    • Naomi Riddle: A lake that was once a field
    • Andrew Frost: Space Opera
    • Simon Gregg: I still haven't found what I'm looking for
    • Emma Mayall: Displaced images of distant object
    • Amita Kirpalani: On things mended and broken
    • Ashley Whamond: Sailing for the abyss
    • Simon Gregg: Trace, place and recollection
    • Bec Dean: All quiet in the off season
  • CV
  • Catalogues
  • Contact
  • News
    • Apparent Distance
    • Reversal
    • Geography of Space, Archaeology of Time
    • Figures of slippage and oscillation
    • Threshold
    • Bringing the distance near
    • Paper, stone and permutations
    • Rupture
    • The Voyage
    • Traverse
    • Reversal [2015]
    • Excavation
    • Blue Distance
    • Agency of inanimate objects
    • Taken on the same day as the other photo
    • Study for a sham ruin
    • Reservoir
    • Displaced images of distant objects
    • On things mended and broken
    • The macquarie project
    • Sailing for the abyss
    • Gestures of the landscape
    • à la dérive
    • Vur-sur-mer
    • In (and against) time
    • Sometime
    • Making mirrors
    • Frontyards
    • Unset Typologies
    • Habitat
    • Siteline
    • lightHOUSE
    • Motionless
    • Map
    • Entwined
  • About
  • Publications
    • Melissa Keys: After the pleasure of ruins
    • Lisa Gorton: Izabela Pluta [Apparent Distance]
    • Naomi Riddle: A lake that was once a field
    • Andrew Frost: Space Opera
    • Simon Gregg: I still haven't found what I'm looking for
    • Emma Mayall: Displaced images of distant object
    • Amita Kirpalani: On things mended and broken
    • Ashley Whamond: Sailing for the abyss
    • Simon Gregg: Trace, place and recollection
    • Bec Dean: All quiet in the off season
  • CV
  • Catalogues
  • Contact

Interview for Try Hard Magazine by Andrew Yip /January 14, 2015 by Izabela Pluta

Interview for Try Hard Magazine by Andrew Yip
http://tryhardmagazine.com/interview-izabela-pluta

← Horsham Regional Art Gallery exhibition Unset typologies →
f8bd144a036c76086cec84d8a7bd8a2b.jpeg

Featured in Simon Gregg's recent book, NEW ROMANTICS: Darkness and Light in Australian Art, published by Australian Scholarly Publishing

Latest Posts

News
CIVILIZATION: the way we live now opens at National Gallery of Victoria
about 3 days ago
AWARDED THE PERIMETER SMALL BOOK PRIZE
about 3 months ago
REVERSAL OPENS AT THE GLASSHOUSE
about 3 months ago
New work opening in 'The National 2019: New Australian art' at the ArT Gallery of NSW
about 5 months ago
Geography of space, archaeology of time : The Australian centre for photography
about 10 months ago
INAUGURAL Marrgu Residency Program in partnership with the Peppimenarti community
about 10 months ago