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Drawing on a series of darkroom contact prints titled Spatial misalignments – which were conceived by shining light through the pages of three long-out-of-print editions of The Reader’s Digest Great World Atlas – this collection bears witness to the turbulence, mutability and power structures that both prop up and undermine the static dogmas of the global map.
Izabela Pluta, map, photography
Spatial misalignments 2018
silver gelatin photographs, 3 sets of 20 unique prints
61 x 40.6 cm (each diptych)
buoy (found at the intersection of the Pacific Ocean and the East China Sea)
latex-based print on polyester
100 x 100 cm
single-channel audio, 17 tracks played in random sequence
Spatial misalignments 2018
silver gelatin photographs
detail
Spatial misalignments 2018
silver gelatin photographs
3 sets of 20 unique prints
61 x 40.6 cm (each diptych)
Spatial misalignments 2018
silver gelatin photographs
3 sets of 20 unique prints
61 x 40.6 cm (each diptych)
Spatial misalignments 2018
silver gelatin photographs
3 sets of 20 unique prints
61 x 40.6 cm (each diptych)
Figures of Slippage and oscillation 2018
latex-based print on polyester
100 x 100 cm